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Date:      Tue, 8 Aug 2000 14:09:53 +0200
From:      Johann Visagie <wjv@cityip.co.za>
To:        chat@freebsd.org
Cc:        j mckitrick <jcm@FreeBSD-uk.eu.org>
Subject:   Re: computer systems in movies
Message-ID:  <20000808140953.K61246@fling.sanbi.ac.za>
In-Reply-To: <20000807224826.A10527@dogma.freebsd-uk.eu.org>; from jcm@FreeBSD-uk.eu.org on Mon, Aug 07, 2000 at 10:48:26PM %2B0100
References:  <20000807214856.A9892@dogma.freebsd-uk.eu.org> <Pine.SOL.3.96.1000807111543.24477B-100000@galileo> <20000807224826.A10527@dogma.freebsd-uk.eu.org>

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j mckitrick on 2000-08-07 (Mon) at 22:48:26 +0100:
> 
> I guess the display on 'The Net' could have been from a real Sun
> workstation, right?

"The Net" and similar films would have you believe that most GUIs consist
primarlily of a progress bar slowly filling from left to right.  (Actually,
looking at Windows, that's not too far off the mark.)

Anyway, my favourite bit of Hollywood computer science:  In the TV series "La
Femme Nikita" (I think that's where I saw it!) there was a scene that went
something like this:

- Good Guy hacks into Bad Guys' mainframe from his laptop.
- Good Guy starts stealing ultra secret file/data/virus/whatever.
- Ubiquitous progress bar starts slowly growing from left to right.
- Bad Guys discover the break-in and activate countermeasures.
- Progress bar shrinks back to the left of the screen.

-- V


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